Characteristics of Good Appalachian Literature


By Herb Wilburn



The easy answer: literature written for, about, or by people from the Appalachian Mountain region of the Eastern United States. Materials must be chosen with care, for just as with any ethnic or regional genre, the potential pitfalls of stereotypes, racism and ignorance are a constant danger.

To define Appalachian Literature one should use the same criteria as for other regional genres.

"Regional literature is ideally the primary means for regional self-expression and self-identity. In preserving a history of the collective experience of a people, regional literature should provide an understanding of the characteristics of the people and forces that shaped their lives and made the region's experience unique. Regional literature, in addition to allowing those from outside the region to share a region's experience, should give those native to the region a sense of how they became who they are today..."(2)

"In summary, regional literature: (1) is free of stereotyping, (2) deals in-depth with individuals, showing those individuals involved in universal conflicts or learning some universal truth, (3) deals with the land as it impinges on humans, and (4) provides a heightened sense of place."(2)

As with any regional or ethnic genre, one should be alert to negative uses of dialect to embarass or ridicule, stereotype characters (both protagonists and antagonist), and outright misrepresentations of the region or people.

What is the appeal to children?

Choosing literature that fits these criteria for Appalachia is a must for any library in the region. Students enjoy reading and hearing stories about folks like them. Students will be more inclined to read books with stories they can relate to and understand. Parents and grandparents may be more inclined to read aloud books to the children that are about their lives. The best books will be familiar, even if new to the students, at a subconscious level through the rhythms and tempo of the story. The characters will face situations that the students will know, or at least have heard of, and react in ways the students can understand.

It is my belief that at-risk children especially benefit from this literature. For children that find little in school that interests them or from their perspective relates to them, this literature acts as an awakening. "There is a difference between being talked to and being talked about."(3) For some, this is the first time they have read in school anyone who speaks like them. It reveals the possibilities and shows the benefit of succeeding at school. Here is a person who started like them being published! A solid reading base can be achieved that will allow the young reader to build successful early reading experiences into lifelong reading enjoyment.

Appalachian Literature for children encompasses a wide range of materials: from traditional tales (Jack Tales) to contemporary authors such as Cynthia Rylant and George Ella Lyon. Huston's My Great Aunt Arizona and Naylor's Shiloh also shine as examples of contemporary Appalachian writing.

For the more adventuresome librarian or teacher, the ballads and folk songs are a treasure trove of rich stories and adventure. (4) During any thematic unit on the region, make available photographic collections such as the Doris Ulman Collection from Berea College. One might invite students to document their lives with photographs and perhaps use old family photographs for comparing and contrasting. The Foxfire books, a must for the reference section of any Appalachian region library, should be prominently displayed.

References

(1) Hinson, Carolyn Matthews. ALAN Review from Appalachian Literature for Youth. WWW site: http://funnelweb.utc.utk.edu/~estes/appalach.html

(2)Sims, Rudine. Shadow and Substance (from Appalachian Literature for Youth. WWW site: http://funnelweb.utc.utk.edu/~estes/appalach.html

(3)See Youth Literature Bibliography.

(4)See Music in Appalachia Bibliography.


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